That happens because camera operators are union labor but CGI editors are not.
A great deal of movie and TV production moved to New Mexico and Georgia to get around some (but not all) unions. Then there are shows which are produced in Canada or Mexico. And then there's others shot in far off places like Australia and New Zealand. A lot of that is done to get away from the Teamsters. It's funny seeing cities like Vancouver, BC or Toronto pretend to be New York City.
In the 1990's and going into the 2000's it was American-based outfits like ILM and Digital Domain that dominated CGI work. Only a few shows, such as
The Simpsons TV series were farming out production work to the Far East. WETA Digital (now known as Wētā FX) proved big CG productions, such as
The Lord of the Rings Trilogy could be done far outside the US.
Steady improvements to computer hardware took away the need to use high end UNIX-based computer systems -like those Silicon Graphics workstations that handled so much pioneering work in the early 1990's. Today most render farms are built using ordinary off the shelf PCs running either Windows or some flavor of Linux.
Far less custom-engineered software is being developed for movies. So much can be done with existing apps like Maya and Houdini. Naturally, movie and TV productions have been farming out more and more CG work to firms based in places like India where sequences can be produced dirt cheap. The trends are easy to see in the end credits of movies.
They should outdo Texas and post a 100MPH speed limit on the Kickapoo as an OKC bypass. Especially once it’s extended south and north. It’d be like the 130 on steroids.
I'd probably feel okay about that only if motorists could put down their damned phones.